Incels: Weaponizing Whiny Neoteny (Immaturity) and Toxic Masculinity

#inceldefinition #whinymachoism #incel #weaponizedneoteny #weaponized #weaponizedimmaturity

Incel Definition — An intellectually lazy, mean-spirited, myopic, frequently misogynistic, and wholely deceitful identity for the self-described “involuntarily celibate.”

Before we go any farther, some clarity to set the tone — while singular elements to toxic masculinity are all too common in today’s society, and we need to discuss that, it doesn’t make sense to throw all men into any one category. The worst of all those elements don’t congeal into ‘a thing’ in all men. Yet male privilege is a problem in society and toxic masculinity expressed through The Pathway to Violence (Grievance, Violent Ideation, Preparation, Probing & Breaches, and The Attack) does crop up in some. Also, men don’t lose their equality if women gain theirs. Let’s get back to the topic of incels and recent murderous attacks on the public.

Self-described Incels are bent on labeling people, themselves and others, across poorly constructed divides, as opposed to recognizing phenomena or issues and doing something perhaps constructive about them. Instead, a group focus lays misplaced blame on others — total strangers may be targeted without prior face-to-face explanation or a chance for any meaningful interchanges that could possibly challence Incel world views.

Incels are incredibly fearful of the type of trial and error that envisions a positive outcome at some point in the future. Instead, they may reach for sure fire weapons, pun intended, to wound and kill others.

Therefore, the Incel identity is at a higher risk of becoming weaponized. Incel groups are at extremely high risk of weaponizing neotenized, hateful, blaming, deceitful, anti-intellectualism.

Many of these traits or habits and their causal thinking errors are all too ubiquitous in society today. Think on this:

the most reliable indicator of whether or not there is violence inside a country, or whether it will use military violence against another country, is not poverty or access to natural resources or religion or even degree of democracy. It’s violence against females.” — from “Gloria Steinem’s new show links global instability to violence against women: “For the first time there are fewer females on earth than males

See: Learned helplessness, thinking errors, addictive divisiveness, ”the pathway to violence,” the victim stance many victimizers also have.

For further reading on the public attacks by angry males in relation to discussing, and hopefully solving toxic masculinity — https://www.theguardian.com/commentisfree/2018/apr/25/incels-violent-misogyny-toronto-facebook

Karen A. Scofield On “What Makes Me Tick”

Levo App

My Results From the Levo app regarding thinking talents.

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As you can see, it picks up on my autism-related deficiencies/differences/advantages. My relational quadrant is empty (not in real life), but then the underlying social constructs de rigueur these days overwhelmingly favor charming extroverts, the more gregarious a la neurotypical fashion they are the better. I see it offers are some pointers about things “relational” but ultimately for someone like me, this test may not pick up on social and communication alternatives. Here’s a TED talk that challenges Introverts with a capital “I” being placed at the top of whatever  constructs we can devise without more penetrating examination.

Rethinking Introverts

http://m.huffpost.com/us/entry/3794733

http://www.lifehack.org/articles/communication/top-10-advantages-of-introvert.htmlimage

  • I tend to do my best thinking alone. That is core the body of any Venn diagram about myself).
  • I don’t do well with snap decisions, often go through a vigorous fact checking process, may research a topic north south east and west, and need time to think through pros and cons.
  • I prefer advanced notice about events or needed decisions.
  • I need a good amount of alone time to do my best thinking, stay true to myself, and stay on track.
  • As much as possible, I need to let people know I will get back to them on the topic or decision rather than keep them hanging.

What do I need to work on: I need to devise purposely nurture relationships with “big thinkers.” Spending time with them will nourish and inspire my thinking processes.

Since my relational skills are peculiar or lacking, I do best with other like people, meaning they are rather direct communicators who are or do well with those on the autism range.

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One Conclusion

It seems I should partner with someone who excels in people, feeling skills and bringing things to action. That sounds like a neurotypical rather than someone who is on the autism range too. Neurotypicals usually shun people like me with a vengeance. What to do? I don’t want a relationship of unequals, so rather than some sort of setup that involves being mentored, I probably would do best in a co-mentoring relationship in which each recognizes the strengths and weaknesses of themselves and each other, without the ego trips or superiority complexes and other such baggage. Ideally. If I can’t get that, I can at least use a certified accountant and other specialists to help me get an art career off the ground.

Keeping the above in mind, the below from my about me page may make more sense!

I design and make figurative bead or art dolls, whip together spirit dolls, art journal, do fine art paintings, create mixed media mosaics, and get into some fabric arts!

My blog pages reflect my intense, playful nature that leads me to intermittently research art mediums/techniques N, S, E, W, and outside the box for years on end so that I can readily dip my hands into multiple art mediums and play, sometimes exactingly and sometimes experimentally. To the core, it’s my nature to take things art further and I have no qualms about expanding and correcting my pages as new products or information comes along. Making art stirs up a deep-seated sense of awe, a child’s sense of wonder, a well-seasoned intellectual curiosity, and the sense that creation is a spiritual experience. Ideas for art constantly fly into my head and I keep notes. Days are never long enough.

A little background... Some of my polymer clay beads appear in the book Polymer Artists Showcase, by tejae floyde. My 1st two art dolls were in Kenosha Wisconsin’s Lemon Street Art Gallery, where I was a member from 2005 to 2007. Lovely place. (I had no idea I could sculpt until I was in my mid to late 40s. It turns out that my dominant dominant intelligence is spatial, helpful in more 3D arts.)

Eclectic Focus

Sculpting figurative beads of polymer or earthenware ceramic clay, resin, making my own prototypes and molds, art dolls, spirit dolls, mixed media mosaics, art journaling, water-based painting, and bouts of fabric arts (cotton, Kraft-tex, paper cloth AKA fabric paper).

Communication Style

I’m socially awkward (autistic) and do best with kind but exquisitely forward people who don’t infer or beat around the bush so if you talk with me, just say what you mean/feel yet remain respectful. (Hint: I love pluralism, eclecticism, constructive criticism and civil rights. I’m incredibly tolerant up to the point of intolerance, brainwashing, purposefully burdensome learned helplessness/ignorance, and other stupid toxic people tricks.)

Watermedia Warning: I’m an unabashed Cretacolor, Liquitex, Golden, and Da vinci fluid acrylics fan.

FAVORITES

Favorite Clays:

Ceramic — Earthenware, Raku
Polymer Clay — Cernit, Fimo Doll/Professional, Kato, Pardo, Premo, Sculpey UltraLight for under structures/armature
Air Dry Clay — La doll Premier, Creative PaperClay, Professional Cold Porcelain
Apoxie Sculpt

Favorite Artist Paints:

Winsor & Newton Watercolors
Golden Acrylics — Fluid Acrylics, Heavy Body
Da Vinci Fluid Acrylics
Liquitex — Soft Body, Heavy Body, Spray can), Basics

Favorite Acrylic Craft Paints (Art Journaling):

Delta Ceramcoat
Jo Sonja
SoHo

Favorite Watermedia Pencils and Water-Soluble Oil Pastels, in Order of Preference:

Cretacolor (artist grade) — AquaMonoliths, AquaStics, AquaBricks
Albrecht Dürer Watercolor Pencils
Caran d’Ache Neocolor II Artists’ Crayons (not as lightfast as Cretacolor, across the board)
Inktense Pencils (the more lightfast shades)

Note: In any fine art, I only use water-soluble oil products on top of acrylics or watercolors, for final finishing touches, if I use them at all.

Favorite Opaque Markers and Pens for Art Journaling:

Uni Posca Paint Pens (remain water-soluble — judiciously seal with 3 layers spray sealant)
Sakura Gelly Roll Pens (no sealant
100% Satisfaction Guaranteed
Sakura Pigma Micron Pens (permanent, can watercolor and paint over them!)

Favorite Sketching Pencils and Powders:

Cretacolor — Artist sketching pastel pencils, carre hard pastels, sketching leads and holders, sketching powders.
Pitt Pastel pencils
Prismscolor sketching pencils
Unison Soft Pastel Red Earth 10

Favorite Papers:

Canson, Strathmore 400 or 500 series, Canva-Paper, Stonehenge, Fabriano Soft Watercolor Paper, Yupo

Favorite Art Board:

Ampersand (especially their Aquabord)
Fredix Archival Watercolor panels

Favorite Illustration Boards:

Stathmore
Crescent

Favorite Canvas:

Fredrix — Watercolor Canvas and their canvas for acrylics

Favorite Canvas Pads:

Fredrix — Regular and Watercolor
Canva-Paper
Strathmore Acrylic

Favorite Mixed Media Pads:

Canson XL Mix Media (for art journaling)
Stathmore 400 or 500

Favorite Gesso:

Liquitex (not Basics!)
Golden
Winsor & Newton
Martin F. Weber Prima (art journaling and DIY art boards, has a lovely matte eggshell smooth texture)

Favorite Fixatives:

Krylon — Matte Finish, Workable Fixatif, or UV Resistant Clear Matte
Lascaux UV Protect 2 or 3
Blair Very Low Odor Spray Fix
Plaid Patricia Nimrocks Clear Acrylic Sealer Matte (for crafts only)

Favorite Colored Pencils:

I can’t afford those! Nevermind. Sigh.

I did unwittingly get Prismacolor pencils from after their factories moved to Mexico and too many leads fall out of the pencils or break. Grrr.

I’m not so much in love with colored pencils, presently.

Favorite Fabrics:

Quilting cottons
Kraft-tex

Favorite Thread:

Carpet thread
Strong quality cotton threads
Silky threads

Favorite Languages:

English, Estonian, French, German, Swedish, Dutch, Norwegian, Punjabi, Spanish, and Italian.

Favorite Cuisines in Order of General Preference:

Punjabi, Chinese, Mexican, Greek, Estonian, French, American.

Note that all my work is copyrighted and you may not use it without explicit written permission.

Viva Decor Precious Metal Colour Paint in Gold Was Heat-set on Cured Premo Polymer Clay, by Karen A. Scofield

Viva Decor Precious Metal Colour Heat-Set on Premo Polymer Clay

The Clay

I added crushed, shiny micaceous (meaning it’s loaded with mica) rock, fine gold glitter, and Blank Slate Gold and Silver Flake Mix, in order of volume, to some Premo! polymer clay (a Sculpey product). That’s why it’s sparkly and can appear darker or very light depending on how the light shines on it and it moves, you see sparkles as well as flashes and glints.

Aside: The Backstory on the Micaceous Rockhttps://www.flickr.com/photos/sari0009/19354330223/in/dateposted-..

The Paint (and A Closed US Office)

Spelling

Viva Decor’s US office closed in 2015 and my bottle is labeled “Precious Metal Colour” because that is how the UK spells it. Many sites and blogs still use the US spelling (Precious Metal Color), you may notice.

Viva Decor Closed Their USA Office in 2015. European Offices remain open. 2016.

Viva Decor Closed Their USA Office in 2015. European Offices remain open. 2016.

Inclusions Added to the Paint

Precious Metal Colour gold colored paint, specifically, has larger glitter-like particles while the mica powder has super fine (!) particles.

  • Alone, Pearl-Ex mica powder has a very slight orangish undertone by comparison.
  • Alone, Previous Metal Color is a bit bright and silvery.
  • Combined, the color is amazing and the larger particles of the paint aren’t glaringly evident.

So, I added a decent amount of Pearl Ex mica powder to Viva Decor “Precious Metal Colour.”

Rule: With mica powder, less is more, meaning you start by adding very small amounts and adjust according to your liking. I found my mix pleasing as a 14 karat gold color.

This doctored up Viva Decor “Precious Metal Colour” acrylic/enamel paint was painted in 3 or 4 layers on an already baked Premo polymer clay mix.

The bezels were entirely painted with the paint while the figurative beads only had detail work painted.

Heat-setting

All but one were heat-set at 275°F  for 30 minutes. There was no visual or tactile difference between the baked and unbaked paint.

I couldn’t scratch the paint off with a fingernail once the paint was heat-set. The paint looks the most like real gold. I finally, after years of looking for a rather durable solution, now have a tremendous amount of confidence regarding gold detail work on my beads and pendants.

Although Varathane Gloss sealant is one of the top choices for sealing polymer clay, it’s water-resistant, not waterproof. I’d prefer not to have to seal my beads at all.

Acrylic Paints — Drying Time vs. Cured

Note: There is A difference between drying time in curing time. Drying time might occur within minutes or a few hours for acrylic paints while curing time might take a few days. This difference might help explain some problems with heat-setting acrylic paints a polymer clay.

I say it might help explain some of the problems because, according to Blue Bottle Tree, there was a correlation between painting the paint on raw polymer clay before heat-setting and the paint bubbling. This was dependent upon brand of acrylic paint and/or polymer clay, whether the clay was raw or cured, and other factors. For more information, see that Blue Bottle Tree blog post.

One Minor Problem to Solve

When removing these painted bezels from the glossy tile they were baked on, some of the gold paint stuck to the tile. There was enough paint remaining on the bezels so this wasn’t a problem but I’d would still prefer this not  happen.

Perhaps baking on a silicone mat would improve things.

Micaceous Rock and "Yellow Gold Glitter" Premo Polymer Clay Mix, by Karen A. Scofield. 2016.

Polymer Clay Micaceous Rock Composite Goddess Pendants, by Karen A. Scofield. 2016.

Polymer Clay Micaceous Rock Composite Goddess Goddess Pendants, by Karen A. Scofield. 2016.

Polymer Clay Micaceous Rock Composite Goddess Goddess Pendants, by Karen A. Scofield. 2016.

Micaceous Rock and

Micaceous Rock and “Yellow Gold Glitter” Premo Polymer Clay Mix, by Karen A. Scofield. 2016.

Micaceous Polymer Clay Goddess Pendants, by Karen A. Scofield. 2016.

Micaceous Polymer Clay Goddess Pendants, by Karen A. Scofield. 2016.

Appears more glittery and sparkly in person.

Micaceous rock from family land in South Dakota was crushed and added to “Yelllow Gold Glitter” Premo polymer clay — the stronger polymer clay by Sculpey that’s suitable for making thinner beads like this. (Always wear a mask if working with micaceous rock in this manner to avoid permanent lung disease.)

About 2″ long and 1/4 inch thick. Mica powder patterns, a sun or spirals, were stamped into the raw clay before curing. The sun and spiral symbolism can have significance. E.g. http://www.whats-your-sign.com/spiral-meaning.html. Small bead holes are added after curing (now shown), usually after jewelry design is complete. Design may determine hole placement and number.

The finished beads look very much like some of the micaceous earth in South Dakota. The particular rocks used in making this came from family land right by Medicine Mountain, which is sacred land. So these beads have personal significant meaning for me in at least four ways. They are my creative expression, the rock comes from family land, the rock comes from the vicinity of sacred land upon which I attended a ritual, the rock represents time spent with family, and the symbolism is well chosen, of course.

Medicine Mountain Background:www.flickr.com/photos/sari0009/19354330223/in/dateposted-... There are two Medicine Mountains and only one is in South Dakota. The history and backstory for this particular Medicine Mountain is hard to find, hence my link is offered here.

Interesting Factoid: In some areas of South Dakota, the ground glitters like gold due to the earth and rocks’ micaceous (mica-filled) nature and looks magical.

Hand Sculpted Voluptuous Ceramic Goddess Pendants, by Karen A. Scofield

Finally Glazed my First Ceramic Goddess Pendants!

Two of these darlings are in Red Roses Bead Haven, a local bead shop, to test the waters, as it were.

Pictures and a short video. These pendants  represent my first experience with teaching myself how to sculpt and work with ceramics. I previously worked with polymer clay. It’s taken me four months to get to this point because I don’t own my own glazes or kiln. I’m lucky enough that a local art gallery will fire them for me and will let me use donated glazes. However, it’s often three weeks or so between firings, more if the kiln breaks down as it did recently.

One is made of red micaceous (contains mica) clay and didn’t need to be glazed like the rest.

Hand Sculpted Voluptuous Ceramic Goddess Pendants, by Karen A. Scofield

Hand Sculpted Voluptuous Ceramic Goddess Pendants, by Karen A. Scofield

Ceramic Goddess Pendants by SE Wisconsin artist, Karen A. Scofield

Ceramic Goddess Pendants by SE Wisconsin artist, Karen A. Scofield

Ceramic Goddess Pendants by SE Wisconsin artist, Karen A. Scofield. 2016.

Ceramic Goddess Pendants by SE Wisconsin artist, Karen A. Scofield. 2016.

Art Journal. Why Magic? by Karen A. Scofield.

So I’m Doing Art Journaling Finally

A Few Sample Pages of My First Art Journal

Of course, it all starts with love, four words for love, then it covers reciprocity, examining what kind of power we have in our relationships from personal to public and political. After that, I talk about making reality according to will, because chances are, if we examine love, power, and reciprocity then we’ll want to make changes.

First, I experimented with backgrounds made with acrylic craft paints. There are some neon, glow, and fluorescent colors in there. I added some mica misters (sprays) on top on some pages but not others. Uni Posca paint pens and “Moonlight” Sakura Gelly Roll gel pens were used on all pages so far. These particular gel pens don’t have to be sealed once dried but the Posca paint pens remain water-soluble and do best with several layers of Krylon matte sealant for that reason. The spray sealant also happens to solve the issue of acrylic painted art journal pages tending to stick together.

I’m diving into some art journaling as I wait for my clay pieces to get fired. It’s taking quite some time as the art gallery’s kiln needed new parts and only recently got them. Because of that, they’re behind and still have to fire my pendants. I’m not doing anymore glazing until I know if this works out and what to expect.

Art Journal. Words for Love from Agape to Praxis. Karen A. Scofield. 2016.

Art Journal. Words for Love from Agape to Praxis. Karen A. Scofield. 2016.

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Art Journal. Why Magic?

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Art Journal Spread "Words!" by Karen A. Scofield. 2016.

Art Journal Spread “Words!” by Karen A. Scofield. 2016.

Aphrodite Over Time. Goddess. Art Journaling. Grimoire is to spell or write. K. Scofield. 2016.

Aphrodite Over Time. Goddess. Art Journaling. Grimoire is to spell or write. K. Scofield. 2016.

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Art Journal. The Great Meta Goddess

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Art Journal. Equality.

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Art Journal Pages. Karen A. Scofield. 2016. Credit for Law of Magic goes to Isaac Bonewits.

Art Journal Pages. Karen A. Scofield. 2016. Credit for Law of Magic goes to Isaac Bonewits.

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Bisque Fired Handmade Earthenware Ceramic Clay Goddess Pendants by Karen A. Scofield. 2016.

My First Ceramic Bisque Fired Goddess Pendants

Bisque Fired Handmade Earthenware Ceramic Clay Goddess Pendants by Karen A. Scofield. 2016.

Bisque Fired Handmade Earthenware Ceramic Clay Goddess Pendants by Karen A. Scofield. 2016.

Yes, another picture and video of my beads but these are my very first ceramic fired anything! It took several weeks for them to get fired (not my schedule, not my kiln), but here they are before an iron oxide wash that will give them an earthy iron color. Weeeeee! I have to grok at them some more because I DID THESE! Me! He he.

Taps all fingertips together at once … what else can I do with cermamic clay without a wheel?

Sculpted Goddess Pendant strung with wooden and ceramic beads, By Karen A. Scofield. 2016.

Sculpted Goddess Pendant strung with wooden and ceramic beads, By Karen A. Scofield. 2016.

 

Earthenware clay figurative pendants, by Karen A. Scofield

Ceramic Clay Dare: I Sculpt a Goddess Pendant on Camera

I sculpted with polymer clay before and, in ceramic clay, I sculpted the backside of a bead without a mold. Now I have dared myself to sculpt an entire bead without the use of any of my molds ( I molded my own beads)in earthenware clay, a medium still very new to me. So I did this on camera.

I’ll get better at filming. And sculpting. But for now, at least I know I can do this and I feel a lot better about doing 20, 50, or more figurative pendants like this, in different sizes and styles of course.

The Finished Pendant (Standing)

Earthenware clay figurative pendants, by Karen A. Scofield

Earthenware clay figurative pendants, by Karen A. Scofield

Earthenware clay figurative pendants, by Karen A. Scofield

Earthenware clay figurative pendants, by Karen A. Scofield

July 21, 2017 Note: I’ve ordered ceramic clay sculpting tools!

Earthenware Greenware Handmade Ceramic Goddess Pendant, by Karen A. Scofield

The Evolution of Karen’s Beads

Shorter Video

Longer Video

Good news! I have found out I can fire and glaze my beads locally. Probably do this in batches of a dozen each. Here is one that has finished drying and is ready for bisque firing.

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Earthenware Greenware Handmade Ceramic Goddess Pendant, by Karen A. Scofield

Why Goddess Pendants or Focal Beads?


Before there were pussy hats, there were Goddess pendants. After pussy hats, there will still be Goddess pendants. 

Earthenware Greenware Handmade Ceramic Goddess Pendant, by Karen A. Scofield

Earthenware Greenware Handmade Ceramic Goddess Pendant, by Karen A. Scofield. 2016.

Why Goddess Pendants? To better answer that, we have to understand the many reasons we make any human figurative art or study female/Goddess figures throughout human history. See http://suppressedhistories.net/

In some languages, the word for history also means storyhttps://en.wikipedia.org/wiki/History

Micaceous Rock and "Yellow Gold Glitter" Premo Polymer Clay Mix, by Karen A. Scofield. 2016.

Micaceous Rock and “Yellow Gold Glitter” Premo Polymer Clay Mix, by Karen A. Scofield. 2016.

Through my beads, I’m telling my story — I’m a woman, domestic abuse survivor, an artist, I’m on the autism spectrum, and my Goddess pendants help tell my story in the contexts of an interest in equality, as opposed to abuse and sexism.  My beads are about equality and power — it’s abuse vs. equality. Women’s rights and Goddess stuff are considered too minority interest, too fringe despite the fact that half the world is female, and that’s a problem. Goddess/female figures may even be banned or get demonized.

Handmade Goddess Pendants, by Karen A. Scofield

Handmade Goddess Pendants, by Karen A. Scofield

Example 1: I had drawn renditions of the Venus of Willendorf, a world famous archaeological find, on shrink plastic and made pendants of them. fThese shrink plastic beads were banned on Myspace as obscene. Here’s what they looked like.

A Shrink Plastic Representation of the World Famous Venus of Willendorf, by Karen A. Scofield
Example 2: I wore a Goddess necklace to Walmart. The cashier suggested I could make money selling them as rather, tee-hee, lewd little party favors at bachelor or bachelorette parties. She had absolutely no inkling that she shouldn’t simply sexualize and peg them in such a narrow, restrictive manner, as opposed to all that the Goddess concept can potentially encompass on a daily basis. Equality touches all all aspects of life, and this shouldn’t be marginalized, pegged as a lewd/lesbian thing, or treated as a fringe topic. Anyway, my Goddess pendant was profane image to her, but to those that wear them, Goddess art and pendants are more of a spiritual and intellectual thing and, more specifically, symbolize spiritual and social equality. They embody, invoke, and evoke this.

As an artist, I cultivate messages and images that are needed, rather than what people are conditioned to lap up from the pundits, pulpits, and consumerism. It concerns me that the world is full of “sanitized,” corporate-made, mainstream images and messages about women and their bodies, messages that are loaded with sexism both overt and/or insidious.

The pussy hat phenomenon shows us that feminine symbols of equality ARE needed. There is the desire to create our world pluralistically without the reality filters of sexism, cultural triumphalism, racism, or creedism (religious prejudice). I desire more autonomous and honest dialog and equality, and I hope you do too.

We still live in a world in which women often don’t get paid the same amount for doing the same job no matter how well they do it, or even if they do it better. As a US citizen, I live in a country in which a considerable majority of art gallery artists are male. It’s a country in which women’s art generally sells for only a small fraction of the profit that art made by men can fetch. We live in a world in which the majority of religion is really male-centric and male-dominated. We live in a world in which men’s voices are given more weight and are heard more. It’s not Goddess, it’s God with no room for any female divine. Instead, we still have the Madonna-Whore Complex. The feminine divine either is falsely demonized, socially/theologically outlawed (or banned), or turned into a whore.

Anti-intellectual, male dominated paradigms hold feminine equality at odds with more formative power structures, be they economic, religious, artistic, or what have you. How is sexism considered to be the fabric of society? And what does that have to do with domestic violence anyway?

See “The Ascent of Woman”http://www.bbc.co.uk/programmes/b0693dsh

Domestic Abuse and the Metaparadigm (Mother World View) of Abuse/War

the most reliable indicator of whether or not there is violence inside a country, or whether it will use military violence against another country, is not poverty or access to natural resources or religion or even degree of democracy. It’s violence against females.” — from “Gloria Steinem’s new show links global instability to violence against women: “For the first time there are fewer females on earth than males

The Power and Control (Abuse) and Equality (Nonviolence) wheels, what they mean, what they look like in current events or everyday situations are sadly only usually discussed, shown, or used during domestic abuse prevention/recovery. They are, in fact, paradigmatic and are applicable on a personal, local, national, and global scale. Here’s what goes on with the Power and Control (Abuse) paradigm.

Methods of abusive power and control have been and continue to be used as social, legal, religious, and financial weapons and they often result in violence, be it domestic or wartime violence. The Power and Control wheel/paradigm is diametrically opposed to Equality because it relies on abusive imbalances of power. This is true whether they pretend to protect us and have our best interests in mind or whether they lay bare their prejudices, sexism, and ambitions.  It takes power and rights away from others in order to feel powerful and it’s a massive failure of imagination.

Here’s a page from my art journal on the Equality (nonviolence) power wheel. Notice the notes on imagination.

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Art Journal. Equality. Power. Tools of Change.

Art is the Antidote

How is it that society today hasn’t quit its addiction to prejudice, bigotry, sexism and the like? I don’t pretend to understand all that and I hope I never do. I can imagine many other paths to power. I can imagine sharing it. And as a woman and an artist, I shape a more inclusive world in clay, canvas, paper, fiber, cloth, and words. Art is an antidote. Symbols matter. Symbols are powerful and my art beads are ones I can bring into all sorts of every day settings.

Working with Inner Hero Creative Art Journal Mixed Media Messages to Silence Your Inner Critic: Inner Critic Number One

Working with Inner Hero Creative Art Journal Mixed Media Messages to Silence Your Inner Critic: Inner Critic Number One. The book’s author is Quinn McDonald. It’s a workbook.

InnerCritic_00_ArtJournalingWithYourHeroes

The book has you anthropomorphize your inner critic(s) and heroes (inner strengths, skills, etc.). It looks negative only at first.

You’re asked to depict the inner critic on a 5×7″ piece of paper. It’s not meant to be fine art. Quick sketches are just fine. Here’s mine, in watercolor. No excuses, I did it as my grandson played and ran around. At points, I was painting while following him around to keep him out of trouble. He’s two. I’m determined.

In the picture, my creative wings are caged, away from public view, and the key is not within their reach. The inner critic is prim and proper. She’s part my mom’s experiences and messages to me, and part my experiences and messages I got from many sectors. (I had off-white wallpaper with small roses printed on it when I was a kid).

I write about this inner critic on the back of the painted 5×7″ paper.

My inner critic is politically correct, believes that brainwashing is for the common good (despite some of this brainwashing about art and artists hailing back to Nazi Germany). Otherwise, how can anyone have a moral compass, was the reasoning (I don’t share that reasoning). She believes in being a perfectionist while hiding in the “safety” of the mainstream (potentialy the most dangerous and unstable thing to do) and the “expected.” She views difference, especially creative and autistic differences, as wrong, suspect, futile, penniless, tragic, degenerate, unstable … as a path to suffering. Women were not supposed to try such challenging paths. Women aren’t supposed to be mavericks and aren’t the favorite as protagonists, generally.

Do a visual search for “maverick” person. You’ll see nearly all male results. A maverick is defined as “an unorthodox or independent-minded person.” The definition of the word doesn’t mention the sex of the person. Society does that. Aren’t artists, unless they only create “safe art” (avoids anything controversial), supposed to be mavericks? A lot of the time, yes.

That message is clear in the entainment industry too. It’s part of the art world too. In the movies, only 11% of all clearly identifiable protagonists are female. In 2013, during the 85th Academy Awards, across 19 categories 140 men were nominated for awards versus 35 women. There were no female nominees for Directing, Cinematography, Film Editing, Writing (Original Screenplay), or Music (Original Score). http://www.wmm.com/resources/film_facts.shtml The arts and entertainment industry seem to underline that imagination and art are political. “Everything’s political.”

This sort of stuff ddn’t escape Emma Watson either, hence her 2014 UN speech.

What’s with our species? Sexism and other prejudices are advanced behaviors?

Back to the inner critic. This inner critic has, despite the fact that she’s an adult, the emotional intelligence of a very inteligent but gullible, scared eight-year-old. She is ever a political refugee (as she was as an Estonian-born child) and tends to unwittingly “kiss the ass” of the ruling class or triumphalism, which tends to be ultra conservative. She is the voice of all the things my mother told me or did to my art.

In her time, growing up in Nazi Germany, artists were degenerates. To her, artists were salty characters, bound to starve, suspect. In her time, the “infirm” (a term sometimes applied to those on the autism range) were some of the first to be gassed. Yes. In her time, artists whose work didn’t agree to tight, proscribed confines were “degenerate.” Artists back then might have their studios and living quarters raided or might be declared “unwell,” put into a doctor’s care and/or disappeared. It was dangerous to color outside Nazi lines. I didn’t know this about the art world in her time until very recently. My mother unwittingly passed along such connotations to me and discouraged me from being artistic once I was no longer a small child.

She saved the pictures I drew in crayon up until I was about eight. Later, we argued over my wanting to major in art. So I didn’t go into the arts, much to my regret.

And my drawings that my college teacher wanted to put in a show somehow ended up with large pantry food jars stored on top of them. She literally placed the practical over my art.

That attitude is still with us today. People are stil discouraged from being career artists, I suspect women especially so, outright or insidiously it doesn’t matter. My youtube  playlist “Women, Spirituality, and Art”: https://www.youtube.com/playlist?list=PLAEeGn5yG0k3hlLbbud6HoRHJqov-INij

Things People Say to Artists Videos. (Some commonalities are you should be cheap or even free, you must use drugs and/or alcohol, you should be my monkey, you’ll starve, art isn’t a real profession, and other backhanded comments that show disrespect for art.)

That’s some pretty deep stuff. At best, women are 8 to 13% of the artists represented in art museums and many “upper end” art galleries. You can buy 150 women’s works of art for one high end man’s work of art. Generally. Still. Generally, being a woman artist … well, we should stick to our arts and crafts approach, eh? Heh. I don’t buy that but the art world is incredibly sexist and racist even now. That’s what you’ll witness if you watch my playlist, or at least the documentaries toward the bottom of it.

My inner critic is also my wounded eight-year-old that was called “alien,” told she had koonies, suffered social ostracization from her peers, was kept out of the loop, passed over in favor others who had connections, whispered about within earshot and worse. The message she was taught was that she’d never be clever, correct, or good enough. That what you do or produce isn’t as important as who produces it and whether that person is acceptable, valued. So my “wings” as an artist that let me sore were kept in the shadows. Being on the autism range is suposed to be a “tragedy.” A painful tragedy. Being a woman doesn’t help. Or it was, as an unspoken rule, when I was a child in the 60s and 70s.

We’ve only begun to challenge that crap as a society so it should be no surprise if this stuff shows up in my iner critic.

My mother meant well, she was trying to protect me. They took us to cultural events, museums, historical places, natural wonders, and on fossil and/or rock hunting trips. We were taught languages. She wasn’t all bad. She was a product of her times. Now, however, the Net allows us to quickly dig into things, deconstruct them, examine what we find, and talk back.

Speaking of talking back, this book has you depict your inner heroes next. The heroes and inner critics then engage with each other. The result is that one doesn’t have to be stuck and flow in the act of creation is possible as a result.

This is especially great for me because I tend to be a visual thinker first and often stuggle to find the frameworks and words for my experiences, hopes and dreams. So, here I am in my 50s finally dealing with all this.

My grandson is napping. I hope to join him for just a bit. Write a little, nap a little, do art and cook when he gets up. That’s the plan.