Note: This page will show more as my work progresses.
The above shows my progress during the first two days. I have to add the lips, eyes, flesh it out more, shape it more, add details and then bake it.
Where to buy the Creager Workshop DVDs: http://www.creagers.com/. I have all three and they’re really helping me. I love them.
Rusty and a Beginner — I was a beginner when I started sculpting art dolls in 2005 but managed to get juried into an art gallery with assemblage type dolls. I’m diving in again after a years-long hiatus and this time, I want to do far more pure sculpting. I tried one head to toe body pure sculpt and then stopped. It’s been years since. I have hours and hours of practice ahead of me — I both look forward to it and dread the awkward stage. This time I hope to stick with it.
So … I cracked open my Creager DVD on sculpting heads and this time I’m going to keep on trying.
Right away, I came across numerous technical problems.
Clay — Ooops. I chose a clay blend because I was in love with it after some pretty decent results in one of the softest clay — Sculpey UltraLIght. Like straight Sculpey Ultralight, however, my Super Sculpey-Sculpey Ultralight clay mix doesn’t blend or smooth well. After this practice head, I’ll switch to working with more traditional art doll clays. They have varying degrees of softness and firmness but will blend and smooth well.
Unfortunate Combination of Store Practices and Super Sculpey Packaging — Super Sculpey boxes aren’t sealed in a protective wrap, the boxes don’t close tightly, people often pinch off a piece or mar the clay, and stores invariably place Super Sculpey on bottom shelves where they’ll be exposed to the most dirt, dust, and lint. It’s not one of the more popular clays among hobbyists, so boxes often sit on the shelves longer than other clays, thus compounding the problem. Consequently the clay is often dirty before you even get it home and you can’t simply wash off the lint. I could shave off the sides and put them in a scrap clay container, I suppose.
Brushes That Stain Clay — Jodi Creager said to use artist brushes…any small enough to smooth the clay. Not her fault, Murphy’s Law and all, but Daler Rowney Simply Brown Nylon Brushes leave their bristle color on my clay. Only the brown ones do that so far. I’ll look for other brushes, white and/or natural bristle ones. I guess I should test even brushes on polymer clay first. Test, test, test. Lots of testing with everything.
Lint — I’m wearing light colored cotton with a white lab coat over it. No dark fibrous sweaters or towels are allowed in the studio. Pets are not allowed either. I cleaned my station for two days with wet wipes and even rubbed my claying mat with a wad of clay to pick up the lint and I’m still finding dark fibers of several different colors in the once clean clay after working it yesterday and today. Argh!
Jan. 15, 2015
Jan. 19, 2015
I’ve been making progress every day or other day, the latest involving fine-tuned shaping and texturing, but as soon as I added rudimentary ears and and started to correct the jaw, I saw a bunch of things I want to change. I need to add more to the top of the head, add more flesh to outer upper eyelid to reflect age, redo and lower ears, redo chin, add a bit to the upper lip right under the nose thus changing the bottom of the nostrils and nares slightly. For starters. Then I have to do the neck and continue with the rest of the body. I’ll probably have to do more texturing and even further fine-tuned shaping. Here’s a video that shows him from different angles at this stage, just in case WIPs (Works in Progress) interest you. For me, they’re a good record that I can organize into one ongoing post.
Progress Jan. 26, 2015.
I have to revisit the entire list of everything I’m working on because I didn’t make nearly the progress I wanted. Perhaps it’s better to make slow, small changes than to make such mistake that I don’t know how to save the work from that point.